< STEPHEN SCORE ANTIQUES | Boston MA | Antiques | American folk art
 


What We Do - Please read

In writing this, I try to think of just what it is that attracts me, so that I can say it out loud to you. What it takes for me to want to acquire an object for sale and not walk away from it. When you visit, you will find that I only buy objects I'd like for myself - that I'd want to live with. In other words, I buy as if I were the collector. Color, glorious color, is a primary determinant. I love color and am not afraid of it. The world in grisaille holds little interest for me. And line. Especially a beautiful sinuous line that moves in lyrical ways, whether it defines a cabriole leg or the stance of a figure in a sculpture or the separation between fields of color in a painting. In Folk Art paintings - portraits, landscapes and still lifes - my preference is for highly abstracted, two-dimensional shapes; although 18th century provincial portraits are often more earnest in their attempt at round forms.

And let me mention surface quality. In every form. Preferably untouched surfaces with lovely, old patina, the crackling and crazing and build-up of paint layers and wear that give us clues to the experience of the object over time. These surfaces provide an impressionistic beauty of their own and it's rare to discover objects that have not been scraped down and refinished to within an inch of their lives.

Sometimes you come across objects made long ago that are almost modern in their streamlined shape or in the way they are decorated - possibly with broad, bold strokes of color and line, or a startling simplicity and economy of design - elements that seem almost to anticipate contemporary art. These objects seem far ahead of their time and yet, of course, are a product of everything that has come before but with an added, individual twist that delights the eye and the heart and challenges our conception of what is modern, what is art. To all this, I would add one more reflection. And that is that beauty and integrity and artfulness can be found in simple things, sometimes common things that do not cost a fortune, objects that were made for simple utilitarian purposes but were ornamented for the pleasure of their appearance or ease of handling in the home. The best of these objects may also have a quality that I would qualify as "quirky," an eccentric, endearing aspect that you wouldn't have been able to anticipate and is not simply the result of "bad drawing." Folk Art objects can be elegant but, in my opinion, the best of them are joyful and happy and delightful to live with. Their humor and whimsy and economical rendering provide a palpable antidote to the heaviness and ballast and unrelenting seriousness of the world around us. There is joy in them. For those who can see.

Today, there is a tremendous competition in the marketplace for fine objects and a commensurate increase in prices, sometimes quite astonishing. Now, more than ever, beginners and old hands alike need guidance to make decisions. Analyzing the strong points of objects, determining in which ways they could be better, helping prospective buyers acquire pieces being sold at auctions where there is often so much hype, is another service I offer.

Over the years, I have discovered worthy objects that have stood the test of time, helped create markets in portraiture and weathervanes and painted furniture and guided clients - even those who didn't initially call themselves collectors - in bringing objects into their homes. I have had the pleasure of working with collectors who were passionate and others who had to be helped to step up to the plate, be persuaded. I have argued passionately for beauty always. I have also argued just as determinedly against objects that didn't measure up. I have always been willing to work with individuals as quirky as my objects. But I tell it like it is.

We have been selling beautiful objects to collectors, dealers, and museums, bidding at auctions on behalf of our clients and helping those who wish to dispose of things for 38 years. We have appraised collections and estates since 1978. Let us know how we may help you.

 

-Stephen Score